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Game of Thrones: Characters More Evil In Books

Chris Parker

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Game of Thrones: Characters More Evil In Books

 

Game of Thrones quickly earned a reputation as being one of the most violent shows on television. Characters we loved were constantly getting executed, murdered, maimed, and tortured by their enemies.

What makes it all so much worse is the fact that the violence is all in the name of a fruitless pursuit of power, which is all going to come to an end when the White Walkers finally decide to invade Westeros. If you were someone who was caught in the clutches or Ramsay, Cersei, or Joffrey, then you might welcome the arrival of the ice zombies.

HBO can only go so far in its depiction of violent acts. As such, there are characters from the A Song of Ice and Fire book series that have committed deeds too foul to be shown on television.

We are here today to look at the Game of Thrones characters who are far more despicable in the books.

From the Bolton who brings his pets to bed, to the Greyjoy who may be trying to wake up Cthulhu, here are 15 Game Of Thrones Characters Who Are Much More Evil In The Books.

15. Joffrey Baratheon

Joffrey Game of Thrones Game of Thrones: 15 Characters Who Are Much More Evil In The Books

The entire audience let out an obnoxious cheer when Joffrey Baratheon choked to death at his own wedding. This cheer eventually died down, as the fans realized that one of the best villains in TV show history had just died, and that Game of Thrones wouldn’t be the same without him. Jack Gleeson deserves all the praise in the world for creating such an entertaining villain.

We learn more about Joffrey’s childhood in the books. King Robert tells Ned Stark that the reason he hasn’t abdicated is that he is afraid of what would happen if Joffrey ascended to the throne.

When Joffrey was a child, he learned that a cat in the Red Keep was pregnant. He cut the cat open and presented the unborn fetuses to King Robert, who smacked Joffrey in a fit of rage.

The reason for a lot of Joffrey’s hateful deeds is because he was trying to emulate his father’s actions. This is why he ordered the assassination of Bran Stark, as he overheard Robert talking about wanting to put the poor boy out of his misery.

14. Littlefinger

Petyr Baelish Littlefinger Game of Thrones: 15 Characters Who Are Much More Evil In The Books

Lord Petyr Baelish is the true architect behind the events that caused the War of the Five Kings. He framed Tyrion for the assassination plot on Bran Stark, which caused the armed conflict between the Lannisters and the Tullys/Starks.

Littlefinger also convinced Lysa Arryn to murder her husband, which prompted Ned Stark’s appointment to the position of Hand of the King, allowing Littlefinger to directly manipulate events from King’s Landing.

The TV show has revealed that Littlefinger owns many brothels. It doesn’t go into detail about the fact that he is involved in the child sex trade. He offers to take care of a young Jeyne Poole, which we later learn involves turning her into a prostitute. She is forced to learn the tricks of the trade while enduring regular beatings.

When Littlefinger murders Lysa Arryn in the show, the Lords of the Vale seem to accept Sansa’s account of what happened. In the books, Littlefinger frames a bard named Marillion for the crime. Marillion is tortured until he is coerced into giving a confession.

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Justice League Star Announces ‘Flash Week’

Chris Parker

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Justice League Star Announces ‘Flash Week’

 

With Justice League approaching its release, ‘The Flash’ week is now underway. While fans have already had a whole movie each featuring Wonder Woman and Superman and saw the two join forces with Batman last year, the other members of the Justice League aren’t quite as familiar. Out of all of them, however, The Flash is the best known. Even before his hit TV show on The CW, The Flash has long been one of DC’s most popular character.

Batman v Superman: Dawn of Justice and Suicide Squad both featured cameos from Ezra Miller as The Flash, and Barry Allen has gotten plenty of screen time in the Justice League trailers so far; and for those who have seen the movie, he’s apparently one of Justice League‘s best parts. Still, Warner Bros and DC want to make sure audiences know what separates this take on the hero from the one who’s been on The CW for years. As such, this week’s Justice League ad campaign is all about the Scarlet Speedster.

Justice League is kicking off ‘Flash Week’ today, with a new video featuring Miller. All week, new content will arrive focusing on Barry Allen, including new footage from the film. You can watch said announcement clip with Miller, below:

 

 

Last week, Justice League put the spotlight on Aquaman, revealing new footage of him in the film along with commentary from Jason Momoa. ‘Flash Week’ is starting even earlier this week, so we should get even more from the hero and his actor. While Aquaman will get his own solo film next year, WB and DC have yet to announce an official release date for The Flash’s solo movie, Flashpoint. Hopefully, Justice League will help sell fans on Miller’s character and increase anticipation for the solo adventure.

As we await more insight on The Flash, the marketing for Justice League has continued to offer promos, new footage, and interviews with the cast. So far, we learned about the weaknesses of each Justice League member. Though they seem god-like, they do have individual shortcomings. We also learned how Cyborg’s origin will differ from the comics. Like Aquaman and The Flash, he will get more time in the spotlight soon (and considering he’s nowhere near as well-known, he’ll certainly need it). In the meantime, stay tuned as more information on The Flash in Justice League is revealed.

Source: Justice League Twitter Account

 

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Jigsaw Trailer Recaps The Saw Franchise

Chris Parker

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Jigsaw Trailer Recaps The Saw Franchise

 

A new trailer for Jigsaw gives fans and newcomers alike a refresher course on the series so far. The Saw franchise was a staple for horror fans every Halloween in the mid to late 2000s, until the series seemingly called it quits with The Final Chapter back in 2010. The Saw movies revolved around the exploits of John Kramer, a man diagnosed with a terminal illness who decides to use the time he has left to kidnap victims and test them to see how much they value their lives.

He would place inside vicious, themed traps, where they would usually have to shed some blood – or limbs – to survive; most of them didn’t. The series is one of the few horror franchises that paid close attention to continuity, with each sequel building on characters and plot revelations from the previous entry. By the time the series reached part seven, though, the story had gotten too convoluted for many, and it felt like Saw had run out of steam by the time The Final Chapter opened in theaters.

Jigsaw aims to revive the series once more, and a new trailer has appeared that quickly recaps the first seven Saw movies, and explains Kramer’s motivations and philosophy. The new sequel follows a fresh batch of victims being tested – and tormented – by the legendary Jigsaw… which should be impossible, since John Kramer died in Saw III.

It will be interesting to see if Jigsaw does well, since audiences seemed burnt out on the series back when The Final Chapter was released. The Saw franchise belongs to an era of horror commonly known as “torture porn”, which typically featured victims being graphically tortured and dismembered. Other movies from this subgenre including the Hostel films, The Collector and Wolf Creek; and while they proved profitable for a few years, their inherent nastiness soon turned most viewers off.

The original Saw was actually more of a taut thriller with little in the way of gore, and this new entry appears to be playing up the mystery of who exactly is behind the new tests. Jigsaw may have also lucked out in terms of timing since horror is experiencing a real boon right now. IT is now one of the highest grossing horror movies of all time, and Blumhouse is having a great year thanks to films like Happy Death Day, Split and Get Out.

With Pennywise emerging as a new horror icon, and the forthcoming Halloween reboot bringing Michael Myers back to life, maybe there’s room after all for Jigsaw in the modern horror scene.

Source: Lionsgate

 

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Blumhouse is Dominating at the Box Office

Chris Parker

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Blumhouse is Dominating at the Box Office

 

Blumhouse Productions has quickly established itself as a studio to watch over the last decade and in 2017, they’re having an especially noteworthy run at the box office. Specializing in crafting low-budget horror films that go on to make enormous profits, Blumhouse first made noise by releasing Paranormal Activity, which was made on a micro budget and earned nearly $200 million worldwide. Paranormal Activity would of course spawn a six-film franchise, which hauled in nearly $900 million total.

Blumhouse has had similar success with the Insidious franchise – 3 films, $372 million – and The Purge franchise – 3 films, $320 million – as well as standalone hits like M. Night Shyamalan’s The Visit, which banked nearly $100 million on a $5 million budget. While every film Blumhouse releases doesn’t hit that big financially, the budgets on most of them are so small that profits are nearly guaranteed. Guiding this successful journey is namesake founder Jason Blum, who takes a keen interest in all the films produced by his company.

2017 has been one of Blumhouse’s best years to date at the box office, with early releases Split – January 20 – and Get Out – February 24 – becoming the studio’s two highest grossing films to date. Staying #1 domestically for an impressive three straight weeks, Split earned nearly $280 million worldwide on a $9 million budget, furthering Blumhouse’s profitable relationship with director Shyamalan. Later, Jordan Peele’s critically acclaimed Get Out would cruise to a cool $253 million on a budget of only $4.5 million.

This past weekend saw Blumhouse rack up its third big horror hit of 2017, as time-twisting slasher comedy Happy Death Day managed to surpass all advance expectations with a $26.5 million opening. This allowed the $4.8 million budgeted flick to easily knock off Blade Runner 2049 from the #1 spot. While Happy Death Day opened to considerably less than either Split or Get Out, the film’s small budget means that it’s likely already profitable for Blumhouse, and there’s no guarantee that positive word of mouth won’t lead to it holding on well in weekend two.

Next year looks poised to possibly perform even better for Blumhouse, as the studio has three big franchise entries coming up. Insidious: The Last Key arrives in January, The Purge: The Island hits theaters on July 4, and the John Carpenter-produced new Halloween movie slashes into the big screen just in time for its titular holiday. As if that wasn’t enough to look forward to, it was recently announced that Chris Hardwick will team with Blumhouse to produce three new horror films, one of which the Talking Dead host will direct himself. Anyone waiting for Blumhouse’s box office dominance to end will likely be waiting for a really long time.

 

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